Well that went better than expected!

So, you may remember from last week that I was in what I like to call ‘a bit of a panic’. I mean, who actually likes tidying up stuff?! But with the help of my lovely sister-in-law Denise, I did actually get my studio all in order, work nicely hung and displayed and tea and cake set out for Open Studios, all by 10:58am on Friday!! I even managed to have a shower and wash my hair before the 11am opening! Phew!

As it turned out, it all went rather well; I had loads of lovely visitors, sold some glass, have lots of interest in both beginners glass fusing workshops and some bespoke, skill-specific days for some lovely novice glass fusers – so that went better than expected!! And as my studio looked so pretty with my work set out and hung up, I’ve decided to leave it where it is. One of my friends did point out that it will get dusty if I leave it out, but hey! who ever cared about a bit of dust? Not me! After all, I made it to be seen, not wrapped in bubble wrap and stuffed in a box in the garage! So until someone else wants it in their house, I may as well enjoy it myself. And anyway, I’ve already filled all the shelf space in the garage so it won’t fit ;0)

Here’s a little peek of some of it in my studio…..

Clearly the Fairy lights are an essential feature of any studio display!

It’s not too late to brighten up your summer wardrobe with some funky jewellery either! Look at all those yummy chunks of swirly glass – that was very popular! And yes, you spotted the Xmas display – to be honest I really never want to make another Xmas themed item again, so these were all in ‘bargain corner’ lol.

The other thing we did was some coaster or sun-catcher making – so much fun!

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I’m going to be doing some coaster and sun-catcher making sessions at my local Wisdom Hospice so Emma who is part of the team there, popped in with her lovely daughter to have a go and see what we would be doing. Great job girls!!

And finally, I received this lovely pic of Colin the Cockerel who flew off to a new home and is now sitting on the kitchen wall surveying the goings-on and looking very happy!

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All-in-all a fab weekend of chatting about glass, drinking tea and eating cake, and I still have a tidy studio! But more importantly, now it’s such a pleasant space, I have renewed motivation to get in there and get making stuff!! 50 jelly babies already in the kiln and 3 light sconces for a client in the planning stages – YAY!! The sunny weather helps and my view into the garden is a bonus, but I must admit, having a tidy, well ordered studio is the best motivation, so maybe if I just do the tidying up as I go from now on……..

Bev x

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From mould-phobic to mould-enthusiast in 4 days

Well what can I say?? What a revelation it’s been this week – I spent a fantastic 4 days on a course at Creative Glass in Rochester, with the marvellous Marina Hanser (look up her work!!). The title of the course was ‘Hybrid Processes’ – it was a combination of techniques involving casting glass into hand built moulds and taking impressions using various every day objects and living entities… It was truly a revelation for me!

Now don’t get me wrong, I like to experiment, and I’m not averse to getting wet or making a huge mess, and I’m a magpie for tools and stuff. Plus, I’m all about process and I like nothing more than learning a new skill – but I have always shied away from mould-making and casting. Over the past few years however, I have noticed that the glass competitions I enter are always won by a piece of cast glass….. so I got to thinking that if you can’t beat ’em then you just have to bite the bullet and join ’em!

I was thrilled to discover therefore that I actually enjoyed the process of making my own unique moulds (just as well huh? the class wasn’t cheap!) The sad thing is that once your glass is cast (fired), you need to break the mould off the glass. This to me seems like such a waste, as they are not quick and simple to make and you will only ever be able to use it once. But maybe that’s the key to the allure of cast glass? Maybe knowing that there will only ever be one piece of glass like it IF it survives the casting, that it is therefore unique and individual – is this why judges love it, and people pay a lot of money for it? I think that is part of it, that, and the time and effort and electricity and materials and trial & error and mess and the need to wear a claustrophobic face mask and development of skills & knowledge and getting wet doing cold-working and the extortionate cost of cold-working equipment and praying to the kiln fairies and understanding the difference between a negative and a positive impression…… Yes I can appreciate the pedestal upon which casting is placed, now I’ve done some.

Here you can see a few pics of the process and how it comes out with still a lot of work needed to make it look like glass again! These two pieces were made in moulds taken of (top) scrunched up paper and (bottom) draped cloth – wonderful shapes and contours can be found in the simplest of familiar things x